The state of Minnesota. Highway twelve to Minneapolis.
You start out in South Dakota, driving past the dug-up earth and plains where prairie dogs are poisoned, the lake where fish and birds are tortured for sport, and the signs that say, "Animal Rights Groups Aren't Taxed -- Let's Tax 'Em!" and "Fishing, Hunting, Trapping: Diamonds in Our Economy". You feel like stopping and saying to the first Dakotan within earshot, "'Diamonds' is right, King Leopold!" But you know it wouldn't register. He probably has never heard of King Leopold.
Cross the state line now, and it gets worse. Turkey farms abound along the way, huge long barns where animals are trapped. Not even barns -- this would somehow dignify the situation -- tin sheds where animals are confined pressed against one another, but knowing no love, knowing no sun, no fresh air, dying in squalor, not allowed to live as a turkey as we are allowed to live as human beings. Houses where people live, and you think, How can they sleep at night knowing what they've done, what they've allowed. Life seems much more meaningless.
One small town gives way to another, all the same, each with a convenience store, bar, and a church, and you wonder how convenience can even be made a priority in such a world as this, factory farm after factory farm on the highway, and a convenience store in town. Bars where small-town folk pretend to enjoy themselves, seem to socialize, if socializing means predicting. Predicting is important in small-town Minnesota, for if you say something unexpected or act in a new way... Keeping your wallet in your front pocket, for example, or wearing a hoodie underneath a blazer could cause someone to question the way things are, and things can't stand up to questioning in rural Minnesota, things have to be the same. You stand here, but not here! These are the orders, and they have to be obeyed. Churches preach the same bland sermon every Sunday, and humans live the same bland lives in rural Minnesota.
You stop for gas in Willmar, and use the restroom with a sign on the door that says, "For paying customers ONLY!" Someone has painted it pink and left a can of cinnamon scented air freshener on top of the toilet tank. Unsmiling, the cashier takes your card for the gas and a bottle of juice, and you leave, vowing never to stop here again. But, you realize, you have to stop somewhere in rural Minnesota, and every place is the same.
Hours after gray clouds, more turkey farms, more inhospitable stops along the way, you eventually end up on the 394, and you drive like a bird freed from its cage, downtown Minneapolis looming hopefully ahead. You exit, drive to Nicollet, where you park your car and walk to Orchestra Hall, where you order a Bombay Sapphire and tonic before the show begins.
We begin with Bernstein's Overture to Candide, a lively, energetic performance that drives the fatigue right out of you, stretches and exhilarates a mind weary from the hell it has seen along the way. We move next into Haydn, the fourth movement of the Clock symphony, which rebuilds and revitalizes, sets your mind back into rhythm once again. Dukas's The Sorceror's Apprentice, a flawless performance of a complex piece that somehow brings freshness and freedom to your mind, almost moving you to tears, perhaps recalling a more simple childhood when the world wasn't such a bad place, when things made sense. We close with Beethoven's Symphony No. 7, the fourth movement, and leave you with a lasting and hopeful impression that beauty can be found in all of this.
That night, you lie awake in the Motel 6, wondering how Minnesota can have Minneapolis, with its vegetarian restaurants, and Guthrie Theater, and world-class orchestra, and Nicollet Mall, while the rest of the state lives in a mental and spiritual squalor, a stagnation of perverse values, the stink from the factory farms reflecting the stench of the hearts and minds of those who call themselves farmers, but are not farmers. You start to consider some of the most difficult philosophical questions: What do we live for? Why do we exist? Were we brought here by intelligent design, or just chance? In Orchestra Hall, one believes once again in intelligent design, that we exist to bring beauty and meaning to the world, that we live for the pursuit of each day becoming something better than we were the day before. It all makes sense.
But, next day, back on the road, you find it hard once again to believe this. Everything seems to argue for the contrary. Everything seems random and amoral, and you have other thoughts now. You believe humanity to be a horrible accident, as this seems to be the only thing that can explain the things you see. For all their rules and norms, you see these people are shallow and evil. Can evil exist without a god, you wonder.
But as you drive down highway twelve through Minnesota you see that, in fact, it does.